Beyond that, you're not likely to get great printed results for your most important purposes, so heeding these settings in the field will help ensure good printed results. The G9 not only gets a resolution boost to 20 megapixels over the G85's 16-megapixel sensor, but it also gets improved image processing courtesy of Panasonic's latest generation Venus processor. The G9 competes quite well with the A6500 here at ISO 1600, retaining similar levels of fine detail with lower noise and better color, however sharpening artifacts are more evident. The sharper optics also likely contribute to moiré patterns in the red-leaf fabric being more visible from the G9 as well, though again the E-M1 II's stronger default noise reduction does blur the leaf and thread patterns quite a bit more than the G9 here at ISO 200. The image quality is definitely not three times better, it may be 10% -15% better, even 20% better (though I suspect not), so to pay three times more for it is not really worthwhile for a non pro user. Panasonic GX9 Print Quality Analysis Excellent 30 x 40 inch prints at ISO 100/200; a good 16 x 20 inch print at ISO 1600 and a solid 8 x 10 at ISO 6400. ISO 400 yields a very good 24 x 36 inch print, displaying similar characteristics to the 30 x 40 inch prints at base and extended low ISOs. Material on this site may not be reproduced, distributed, transmitted or otherwise used without the prior written consent of The Imaging Resource. ISO 12,800 prints a decent 5 x 7, and that's not too bad given how high this ISO is for this sensor size. We know this because the E-M1 II's extended low ISO 64 shot shows significantly more detail in the red-leaf swatch and elsewhere in the target. That's quite a jump from the GH5's 12fps (9fps with AF-C), while it's also possible to use the 4K and 6K Photo modes to extract still images. At base ISO, the G9 does a slightly better job at rendering fine detail while the E-M1 II image shows more obvious sharpening haloes and is slightly cleaner. Colors are cooler but generally more accurate from the Panasonic. The Panasonic G9 is capable of excellent image quality. Sensor: 20.3MP MFT Live MOS, 17.3 x 13.0mm Focal length conversion: 2x Memory: 2x SD/SDHC/SDXC, both UHS II Viewfinder: OLED EVF, 3.68 million dots Max video resolution: 4K UHD at 30fps ISO range: 100-25,600 Autofocus points: 225-area contrast AF Max burst: 20fps with AF, 60fps with focus fixed at first frame (600 JPEG, 60 Raw) Screen: 3-inch vari-angle touchscreen, 1,040k dots Shutter speeds: 60-1/8,000 sec (1/32,… Receive mail from us on behalf of our trusted partners or sponsors? There was a problem. Receive news and offers from our other brands? Given that this camera is marketed for the most part at still photographers, and given its competition with cameras such as the Olympus E-M1 Mark II, the G9 does a good job of holding its own against both that model and the storied Panasonic GH5. However, for your most critical printing applications at this gain setting we suggest 13 x 19 inches to be sure. ISO 100/200 deliver superb prints at 30 x 40 inches, and even larger if your viewing distance allows given the 20-megapixel resolution. The renewed auto focus system with 225-AF points works extremely quickly and accurately. Below are crops from our laboratory Still Life target comparing the Panasonic G9's image quality at a few ISOs to its predecessor's, the G85, and against its more video-centric sibling, the GH5, as well as to several competing models at similar price points or in similar categories: the Fuji X-T3, Olympus E-M1 II and Sony A6500. Although Micro Four Thirds sensors are prone to showing more noise at high sensitivities than their APS-C rivals, the G9 is … When you use this feature correctly the results can be spectacular. Upon close inspection, noise levels appear a little lower from the G9, and the "grain" pattern is less blocky or "digital-looking" in flatter areas as well. The G9 also delivers solid dynamic range performance. To further enhance image quality, Panasonic applied a special anti-reflection coating on the sensor of the Lumix G9, to reduce flare and ghosting. Here we compare the 24-megapixel APS-C Sony A6500 to the 20-megapixel MFT G9. Excellent 30 x 40 inch prints at ISO 100/200; a good 16 x 20 inch print at ISO 800, and a solid 11 x 14 at ISO 3200. It produces noise-free images at ISO 100 to 3200, with limited noise starting to appear at ISO 6400. Read our Panasonic G9 conclusion. The Panasonic Lumix G9 offers excellent image quality and video features. The 6.5-stop compensation means it's possible to shoot at incredibly slow shutter speeds with wide lenses, while using the 200mm f/2.8 (equivalent to 400mm don't forget) meant it was still possible to get pin-sharp shots even at modest shutter speeds. This is a pretty close race here at ISO 3200, with the G9 cranking up its default noise reduction more than the E-M1 II compared to ISO 1600. Here is a high-resolution image shot using the 80Mpixel mode of the Panasonic G9. The Panasonic Lumix DC-G9 is a great camera to take along, especially for action photographers, but also for nature photographers. For JPEGs, the G9's noise reduction does a good job, controlling noise pretty well without sacrificing too much detail. Panasonic Lumix G9 – Image quality. When compared to equivalent APS-C cameras, namely the Canon 80D and Sony a6500, both dynamic range and ISO performance are equal up to ISO 3,200. Luma noise is noticeably higher from the Olympus, though, but it's more fine-grained and film-like in appearance. Panasonic Lumix G9 with 12-60mm f/2.8-4 , 1/50 sec at f/4, ISO10,000, Processed raw file at ISO10,000. It has a resolution of 20 megapixels, which is the standard for MFT. The Panasonic G9 features a Four Thirds sensor and has a format factor (sometimes also referred to as "crop factor") of 2.0. The larger 30 x 40 inch prints are certainly usable here as well, but mild softening is detected in certain areas of the prints upon close scrutiny, so we'll put our seal of approval on the 24 x 36 inch prints at this gain setting. Panasonic GH4 is clearly the smaller of the two cameras. Panasonic Lumix DC-G9 im Test | Unabhängiges und kritisches Testverfahren Alle Vor- und Nachteile Best-Preis finden Jetzt lesen Fine detail and contrast are much better in our tricky red-leaf swatch from the Sony as well, however moiré patterns are visible from both cameras. The Panasonic G9 is one of the most well-balanced Micro Four Thirds camera to date. On close inspection there is a mild softening in the red channel, typical of most cameras by this ISO sensitivity and print size, and just a touch of noise in flatter areas of our test target, but still a very good all-purpose print. While the sharper lens contributes to the G9's better performance, the E-M1 II's stronger default noise reduction plays a larger roll here, smudging fine detail while still producing higher luma noise in flatter areas, though the Olympus' noise "grain" pattern is tighter and more consistent. These two siblings produce very similar image quality here at base ISO, as both feature OLPF-less 20-megapixel sensors with the same generation Venus image processor. Overall, the Panasonic G9 turns in a solid performance for print quality. For this reason we suggest limiting the G9 to either ISO 1600 or 3200 for critical printing purposes. New York, We also found that the Lumix G9's auto white balance performed very well, with the camera delivering natural-looking results under a range of lighting conditions and light sources. TechRadar is part of Future US Inc, an international media group and leading digital publisher. Panasonic Lumix G9 with 12-60mm f/2.8-4 , 1/1000 sec at f/5, ISO2000, Raw file processed in Lightroom. You'll definitely want to invest in an additional battery or two to keep handy in your bag. The Panasonic G9 captured images of excellent quality. ISO 12800 exhibits quite visible noise and loss of fine detail, and the fastest setting of ISO 25600 is … As far as image quality is concerned, the Panasonic G9 is close to the Olympus OM-D EM1 mk2 and the Panasonic GH5. And remember, you can always go to our world-renowned Comparometer to compare the Panasonic G9 to any camera we've ever tested! I hope you like the image … The A6500 image is crisper with better detail here at ISO 3200, but it's also much noisier in the flatter areas, so it's difficult to pick a definitive winner here as it comes down to personal preference. The G9 image has slightly higher contrast and is a bit sharper with more visible sharpening haloes, but both cameras hold onto similar amounts of detail. Its output is a higher resolution JPEG file than the Olympus, 80MP vs 50MP (though the Olympus can output and 80MP Raw file too). Panasonic Lumix G9 with 200mm f/2.8, 1/800 sec at f/2.8, ISO200, The dynamic range available in this raw file is very good – we've recovered a good amount of both shadow and highlight detail in this shot. You can customise four picture profiles on the G9 and one on the E-M1 II. Below you can see the front view size comparison of Panasonic G9 and Panasonic GH4. The images shown above can be further tweaked in-camera. What’s the bottom line? Thank you for signing up to TechRadar. The Lumix G9's image stabilization system really impresses. Compare Panasonic G9 image quality against competitors. Below you can see the front view size comparison of Panasonic G100 and Panasonic G9. The G9 does noticeably better in most of the fabrics, but it also shows more aliasing artifacts which the XT-3's X-Trans filter helps avoid. Panasonic Lumix G9 with 12-60mm f/2.8-4 , 1/250 sec at f/9, ISO200, Raw file processed to taste in Lightroom. The Panasonic G9 has a Four Thirds-sized sensor, which measures 13mm x 17mm. Luminance noise appears a little higher from the X-T3 in flatter areas, but the G9 produces a crisper image with slightly better detail overall. Panasonic Lumix DC-G9 sample gallery: 89 images Nov 8, 2017 Leica Thambar 90mm F2.2 sample gallery: 42 images Nov 7, 2017 Canon EF-M 22mm F2 STM sample gallery: 41 images Nov 5, 2017 Sony a9 Presidents Cup gallery The Lumix G9 is capable of shooting at a blisteringly quick 20fps with full continuous AF, while this can be stretched a staggering 60fps if you don't need to track your subject. Image quality in both sharpness and dynamic range is excellent, considering this is typically a downfall of MFT sized sensor. Unencumbered by an optical low pass filter, the 20.3MP chip delivers really fine detail at lower sensitivities; you'd certainly struggle to tell the difference between results from the G9 and a comparable APS-C rival. Please refresh the page and try again. Colors are still warmer from the Fuji. There is still reasonably full color reproduction and not the typical burnt look that haunts many cameras at this sensitivity, but just not quite enough fine detail to pass our good grade. Using the 200mm f/2.8 (equivalent to 400mm don't forget) meant it was still possible to get pin-sharp shots even at modest shutter speeds. Like the Olympus OM-D E-M1 II, the G9 offers a high resolution pixel shift mode, a first in Panasonic cameras. As you can see, the G9 image has a larger scale and is more detailed from the increased pixel count. ISO 1600 manages a good 16 x 20 inch print, displaying a touch more visible noise in some areas of our target, but not enough to miss out on our good grade. It produces noise-free images at ISO 100 to 3200, with limited noise starting to appear at ISO 6400. I shot this using the Fuji XT3 and Fuji 18-135 lens at 18mm. At ISO 1600, the G9 holds onto significantly more fine detail than the E-M1 II. Again, colors are noticeably warmer from the Fuji but still pleasing. Flickr is almost certainly the best online photo management and sharing application in the world. The native RAW file has a pixel count of 10,368 x 7,776 when using this mode. I’m determined to return to this location for a sunset (hopefully with a Panasonic G9). Mit ihren vielfältigen Aufnahmefunktionen, extrem schnellen Reaktionszeiten und solider, kompakter Bauweise empfiehlt sich die Kamera besonders für Reportage-, Action-, Sport- und Wildlife-Fotografie und ist der ideale Begleiter für Ihre Abenteuer. – There were cases the angle of view changed according to the movement of … Fine detail is a little better from the X-T3 in our troublesome red-leaf fabric, though both cameras blur it significantly at this ISO. The Fuji however produces fewer aliasing artifacts and lower chroma noise. And here’s a small section from the centre of the frame. 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panasonic g9 image quality

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